Circulating Fear: Japanese Horror, Fractured Realities, and New Media explores the changing role of screens, new media objects, and social media in Japanese horror films from the 2010s to present day. Lindsay Nelson places these films and their paratexts in the context of changes in the new media landscape that have occurred since J-horror's peak in the early 2000s; in particular, the rise of social media and the ease of user remediation through platforms like YouTube and Niconico. This book demonstrates how Japanese horror film narratives have shifted their focus from old mediavideo cassettes, TV, and cell phonesto new mediasocial media, online video sharing, and smart phones. In these films, media devices and new media objects exist both inside and outside the frame: they are central to the films narratives, but they are also the means through which the films are consumed and disseminated. Across a multitude of screens, platforms, devices, and perspectives, Nelson argues, contemporary Japanese horror films are circulated as an ever-shifting series of images and fragments, creating a sense of fractured reality in the films narratives and the media landscape that surrounds them. Scholars of film studies, horror studies, media studies, and Japanese studies will find this book particularly useful.

Lindsay Nelson is assistant professor in the Department of Political Science and Economics at Meiji University.

Acknowledgments

List of Figures

Introduction

Chapter One: Circulating Urban Legends: From 2channel toToshimaen: The Movie

Chapter Two: Idols, Japanese Horror, and Fractured Realities:Shirome

Chapter Three: The Haunted Forest: Circulating Aokigahara

Chapter Four: FromRingu toRings: Porous Screens and Virtual Windows in the LaterRingu Films

Conclusion: Living in Virtual Windows

Bibliography

About the Author